Helmed by Bristol sound co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a darkly funny duel takes hold – David eager to get away; the Poacher denying his container of cider, determined to dousing him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single important plot development, but it leads to a comically executed chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
Game is in UK and Irish cinemas from 17 November.
